• Hip Hop time machine

    Article

    Hip Hop time machine

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Abstract

This article embarks on a two-fold investigation, examining the aesthetic implications of sample-based record production using re-imagined phonographic sources, and exploring applied research design for contemporary forms of music-making. Challenging traditional models of musicological analysis, the author demonstrates how multi-methods research leverages the study of ‘meta’ genres of creative practice.

Keywords: practice, Hip-hop, sample-based, musicology, record production

How to Cite:

Exarchos M., (2018) “Hip Hop time machine”, New Vistas 4(2). p.22-27. doi: https://doi.org//uwl.67

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Published on
30 Oct 2018
Peer Reviewed